![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg-6XSs5R9qGhtgaO8UknhMXn5Jov1NYW6QQb8I1Equ_yjYFKGJELlVpa-9ZRedGsYN6F0FQlQaC9A26H-6sHrAhRJ_UmCVKxUu1LHcmRr9P6kJE0uIn3ieK6hoF69PUFNLnxKPqTuZLnBE/s400/Au+bal+masue-les+fetes+parisiennes-nouveaux+confetttis%252C+1892%252C+Toulouse+Lautrec.jpg)
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiBw9aeBDh8YenRQzlxMZ3hGBcayefYRRHeHnVD34oPWfU-yRbfs-GkIm9fTzmwfZfTR_YhXMt3aXQ2z3bt4vuoY9yXCTGUcUNSyoWP_t5x9CuJiayxY1T_3VBbxrKk1OzBsDnGh-Bl1fyQ/s400/Ball+at+the+Moulin+de+la+Galette%252C+1889%252C+by+Toulouse+Lautrec.jpg)
Right: Ball at the Moulin de la Galette, 1889
Left: Au bal masue-les fetes parisiennes-nouveaux confetttis, 1892
Again Toulouse-Lautrec another impressionist. I publish a lot of impressionists and the main reason is because it was the period of many changes that contributed to many movements of the 20th century.
At the same time I want you to see that each one of them has an unique universe, style, ways to put the paint on canvas, colors and a percuss of their own.
And I also like them very much. I don't publish what I don't like. I leave it to the critics.