
Picasso's drawing was done in 1952 and Rembrandt in 1654. Three centuries apart and using different representational methods in the essence they suggest the same feeling.




"I paint in the streets people really belonging to the streets: tramps, but also beggars, street orphans from the poorest countries. This is a stencil tradition by the way," he says. "The streets are just my favorite gallery, I been in love with graffiti since i was a child. Sure I did draw, paint free hand, with brushes, with cans, but stencils are the best way to quick place something beautiful anywhere in the streets, without any fucking authorization."Christian Guémy
I think that it is almost impossible not to be moved when listening to this song and I will always listen to it from time to time. Debussy did it to express Verlaine's poem:
| Clair de lune Votre âme est un paysage choisi Que vont charmant masques et bergamasques Jouant du luth et dansant et quasi Tristes sous leurs déguisements fantasques. Tout en chantant sur le mode mineur L'amour vainqueur et la vie opportune, Ils n'ont pas l'air de croire à leur bonheur Et leur chanson se mêle au clair de lune, Au calme clair de lune triste et beau, Qui fait rêver les oiseaux dans les arbres Et sangloter d'extase les jets d'eau, Les grands jets d'eau sveltes parmi les marbres. From Fêtes galantes (1869) | Moonlight Your soul is like a landscape fantasy, Where masks and Bergamasks, in charming wise, Strum lutes and dance, just a bit sad to be Hidden beneath their fanciful disguise. Singing in minor mode of life's largesse And all-victorious love, they yet seem quite Reluctant to believe their happiness, And their song mingles with the pale moonlight, The calm, pale moonlight, whose sad beauty, beaming, Sets the birds softly dreaming in the trees, And makes the marbled fountains, gushing, streaming-- Slender jet-fountains--sob their ecstasies. |



"At first, one automatically assumes that the painting on the easel depicts the portion of the landscape outside the window that it hides from view. After a moment's consideration, however, one realizes that this assumption is based upon a false premise: that is, that the imagery of Magritte's painting is real, while the painting on the easel is a representation of that reality. In fact, there is no difference between them. Both are part of the same painting, the same artistic fabrication. It is perhaps to this repeating cycle, in which the viewer, even against his will, sees the one as real and the other as representation, that Magritte's title makes reference." (emphasis mine)
"I took this photo near Rochefort in Belgium. I also drew the roughsketch on the crumpled paper. I wanted to make something very simple and minimalist. We always need a sun!"

There are many funny fail picture at Epic Fail the site I took this one. Take a look, have fun but remember that the word failure is overrated. It's impossible to live without failing.

I created the label "The Four Dogs" and will be publishing pictures of four dogs in different situations. If you find any interesting picture with four dogs please tell me. This one was taken from this site. Hope they are having fun!
I just found the work of the photographer Christophe Dessaigne. and felt like sharing this photography he has at his portfolio:"Christophe's photomontages deal with the themes of melancholy, fantasy, and solitude. "When I was still a child, the closing scene of Planet of the Apes struck me. It left a permanent mark in my mind. The final vision of the Statue of Liberty coming out of the sea and sand before Charlton Heston and its post-apocalyptic staging when Man realizes how infinitely small and ephemeral he is, is definitely grandiose. Same with the 80s SF masterpieces like Mad Max, Blade Runner, or Brazil. This cinema is a great source of inspiration for me, it has influenced me strongly." He adds "The works of painters like Jean-Pierre Ugarte or Beksinski are also inspiring to me, just like the masters of surrealism are: Dali, Magritte... On the comics side, the works of Metal Hurlant-era masterminds Druillet, Moebius, Caza etc is pure genius to me. These people have left their mark on the comics imagery and fantasy. They have been and still are great storytellers." As to photography, Christophe finds interest in photographers like Chad Michael Ward, Shane Harrison Parkson, or master of long exposure Michael Kenna."




"I cut the small paper shapes that I stick inside the toilet paper rolls. I use tweezers to manipulate the paper shapes. I selecte the paper of the same color as the roll. It gives the illusion that the paper figures make part of the roll."

