Showing posts with label Andy Warhol. Show all posts
Showing posts with label Andy Warhol. Show all posts

Friday, January 6

Andy Warhol's Myths series

 
















In 1981 Andy Warhol printed ten myths using diamond dust in 38 x 38 size.
Among them was "Shadow", the top left that shows his own shadow at the wall, "Mammy", and "The Star" that is Greta Garbo as Marta Hari.

The other iconic mythical figures in the portfolio are Santa Claus, Mickey Mouse, Wicked Witch of the West, Howdy Doody, Dracula, Superman, The Shadow and Uncle Sam.

It is very interesting that he did choose icons that are known or must be known by those who look at the twenty century in all his work and at this series especially Americans from movies or TV and imagination that are in the mind of many for a long time.
The last picture, bottom right, was done in 1983 "Ingrid Bergman with a hat".

Saturday, November 28

Andy Warhol's shoes

Yes, Andy Warhol also used shoes as a theme like we saw two post below Van Gogh's shoes and boots. This is the series "A la recherche du shoe perdu", title inspired by Marcel Proust's oeuvre "In Search of Lost Time - A la Recherche du temps perdu", Andy Warhol did in 1955 with captions by Ralph Pomeroy. Prior to this he had already used shoes as theme passing around his friends to promote himself and at this series he depicts shoes in a very glamorous and magical way. In 1980-1 he publishes the series "Diamond Dust Shoes" using diamond dusts in his printings. Today is Saturday. Put on your red shoes and dance! Dancing is very Warhol since he said that he did nothing but going to parties. “I am a deeply superficial person.” "An artist is somebody who produces things that people don't need to have." "During the 1960s, I think, people forgot what emotions were supposed to be. And I don't think they've ever remembered."

Thursday, November 5

Andy Warhol at the Warhol Museum

"The art collection of The Andy Warhol Museum at Pennsylvania includes over 8,000 works in all media-paintings, drawings, prints, photographs, sculpture, and installation. The collection provides an in-depth view of every period of the artist's creative life, from the 1940s through the 1980s." You can visit their site here. I copied this page and you can click at the thumbnails to view the picture. Andy Warhol Self-Portrait, ©1986 Andy Warhol, Self-portrait, 1986
Andy Warhol Artworks
Andy Warhol, Brillo Box, 1964, silkscreen ink on synthetic polymer paint on wood, 17 x 17 x 14 in. ©AWF
Cow Wallpaper, 1966, screenprint on wallpaper, refabricated for The Andy Warhol Museum ©AWF
Source material for Ambulance Disaster, 1960, UPI photograph, ©AWF
Andy Warhol, Dollar Signs, 1981, ©AWF
Andy Warhol, Elvis (Eleven Times), c. 1963, silkscreen ink and synthetic polymer paint on canvas, 82 x 338 in., ©AWF
Andy Warhol, Gun, 1981, silkscreen ink and synthetic polymer paint on canvas, ©AWF
Andy Warhol, Heinz Box, 1964, silkscreen ink on synthetic polymer paint on wood, ©AWF
Andy Warhol, Ladies and Gentlemen, 1975, silkscreen ink and synthetic polymer paint on canvas,©AWF
Andy Warhol, Liz, 1965, silkscreen ink and synthetic polymer paint on canvas, 40 x 40 in. ©AWF
Andy Warhol, Marlon, 1966, silkscreen ink on canvas, ©AWF
Andy Warhol, Race Riot, 1963, silkscreen ink on synthetic polymer paint on canvas, 30 x 33 in. ©AWF
Andy Warhol, Raphael 1-$6.99, 1985, silkscreen ink and synthetic polymer paint on canvas, ©AWF
Andy Warhol, Red Jackie, 1964, silkscreen ink and synthetic polymer paint on canvas, 40 x 40 in. ©AWF
Andy Warhol, Shoes, 1980, silkscreen ink and diamond dust and synthetic polymer paint on canvas, 90 x 70 in.©AWF
The Andy Warhol Museum, gallery 507, 5th Floor, June 1994, Silver Clouds, 1966.
Andy Warhol, Skull, 1976, silkscreen ink and synthetic polymer paint on canvas, 72 1/8 x 80 1/2 in.©AWF
Andy Warhol, Skulls, 1976, silkscreen ink and synthetic polymer paint on canvas, 72 1/8 x 80 1/2 in. ©AWF

Wednesday, October 28

Before the Law - Franz Kafka

Just read it: "BEFORE THE LAW stands a doorkeeper. To this doorkeeper there comes a man from the country and prays for admittance to the Law. But the doorkeeper says that he cannot grant admittance at the moment. The man thinks it over and then asks if he will be allowed in later. "-It is possible," says the doorkeeper, "but not at the moment." Since the gate stands open, as usual, and the doorkeeper steps to one side, the man stoops to peer through the gateway into the interior. Observing that, the doorkeeper laughs and says: "-If you are so drawn to it, just try to go in despite my veto. But take note: I am powerful. And I am only the least of the doorkeepers. From hall to hall there is one doorkeeper after another, each more powerful than the last. The third doorkeeper is already so terrible that even I cannot bear to look at him." These are difficulties the man from the country has not expected; the Law, he thinks, should surely be accessible at all times and to everyone, but as he now takes a closer look at the doorkeeper in his fur coat, with his big sharp nose and long, thin, black Tartar beard, he decides that it is better to wait until he gets permission to enter. The doorkeeper gives him a stool and lets him sit down at one side of the door. There he sits for days and years. He makes many at-tempts to be admitted, and wearies the doorkeeper by his importunity. The doorkeeper frequently has little interviews with him, asking him questions about his home and many other things, but the questions are put indifferently, as great lords put them, and always finish with the statement that he cannot be let in yet. The man, who has furnished himself with many things for his journey, sacrifices all he has, however valuable, to bribe the doorkeeper. The doorkeeper accepts everything, but always with the remark: "-I am only taking it to keep you from thinking you have omitted anything." During these many years the man fixes his attention almost continuously on the doorkeeper. He forgets the other doorkeepers, and this first one seems to him the sole obstacle preventing access to the Law. He curses his bad luck, in his early years boldly and loudly, later, as he grows old, he only grumbles to himself. He becomes childish, and since in his yearlong contemplation of the doorkeeper he has come to know even the fleas in his fur collar, he begs the fleas as well to help him and to change the doorkeeper's mind. At length his eyesight begins to fail, and he does not know whether the world is really darker or whether his eyes are only deceiving him. Yet in his darkness he is now aware t of a radiance that streams inextinguishable from the gateway of the Law. Now he has not very long to live. Before he dies, all his experiences in these long years gather themselves in his head to one point, a question he has not yet asked the doorkeeper. He waves him nearer, since he can no longer raise his stiffening body. The doorkeeper has to bend low towards him, for the difference in height between them has altered much to the man's disadvantage. "-What do you want to know now?" asks the doorkeeper; "you are insatiable." "-Everyone strives to reach the Law," says the man, "so how does it happen that for all these many years no one but myself has ever begged for admittance?" The doorkeeper recognizes that the man has reached his end, and to let his failing senses catch the words roars in his ear: "-No one else could ever be admitted here, since this gate was made only for you. I am now going to shut it."" If you are seeking for justice I hope you can fight doorkeepers although I know it's hard, too damn hard. That is life, isn't it? Image: Kafka by Andy Warhol

Monday, April 6

Kafka - "Before the Law" - Andy Warhol

This is a Andy Warhol portrait of Kafka and it's great achievement is to show a smile on Kafka's face. Sometimes we forget that Kafka is funny and it has been said that he used to read some of his writings to his friends laughing. He wrote many little texts that are great. "BEFORE THE LAW stands a doorkeeper. To this door-keeper there comes a man from the country and prays for admittance to the Law. But the doorkeeper says that he cannot grant admittance at the moment. The man thinks it over and then asks if he will be allowed in later. "-It is possible," says the doorkeeper, "but not at the moment." Since the gate stands open, as usual, and the doorkeeper steps to one side, the man stoops to peer through the gateway into the interior. Observing that, the doorkeeper laughs and says: "-If you are so drawn to it, just try to go in despite my veto. But take note: I am powerful. And I am only the least of the door-keepers. From hall to hall there is one doorkeeper after another, each more powerful than the last. The third doorkeeper is already so terrible that even I cannot bear to look at him." These are difficulties the man from the country has not expected; the Law, he thinks, should surely be accessible at all times and to everyone, but as he now takes a closer look at the doorkeeper in his fur coat, with his big sharp nose and long, thin, black Tar-tar beard, he decides that it is better to wait until he gets permission to enter. The doorkeeper gives him a stool and lets him sit down at one side of the door. There he sits for days and years. He makes many at-tempts to be admitted, and wearies the doorkeeper by his importunity. The doorkeeper frequently has little interviews with him, asking him questions about his home and many other things, but the questions are put indifferently, as great lords put them, and always finish with the statement that he cannot be let in yet. The man, who has furnished himself with many things for his journey, sacrifices all he has, however valuable, to bribe the doorkeeper. The doorkeeper accepts every- thing, but always with the remark: "-I am only taking it to keep you from thinking you have omitted any- thing." During these many years the man fixes his attention almost continuously on the doorkeeper. He forgets the other doorkeepers, and this first one seems to him the sole obstacle preventing access to the Law. He curses his bad luck, in his early years boldly and loudly, later, as he grows old, he only grumbles to himself. He becomes childish, and since in his yearlong contemplation of the doorkeeper he has come to know even the fleas in his fur collar, he begs the fleas as well to help him and to change the doorkeeper's mind. At length his eyesight begins to fail, and he does not know whether the world is really darker or whether his eyes are only deceiving him. Yet in his darkness he is now aware of a radiance that streams inextinguishably from the gateway of the Law. Now he has not very long to live. Before he dies, all his experiences in these long years gather themselves in his head to one point, a ques-tion he has not yet asked the doorkeeper. He waves him nearer, since he can no longer raise his stiffening body. The doorkeeper has to bend low towards him, for the difference in height between them has altered much to the man's disadvantage. "-What do you want to know now?" asks the doorkeeper; "you are insatiable." "-Everyone strives to reach the Law," says the man, "so how does it happen that for all these many years no one but myself has ever begged for admittance?" The doorkeeper recognizes that the man has reached his end, and to let his failing senses catch the words roars in his ear: "-No one else could ever be admitted here, since this gate was made only for you. I am now going to shut it.""

Tuesday, March 17